Notes on Chapter 9, "Scylla and Charybdis"


HOMERIC PARALLEL

Odysseus navigates between two dangerous obstacles, 
a whirlpool and a man-devouring monster on a rock.  He must opt for sailing 
close by the monster and thus lose a few men in order to save the
whole ship from being drowned in the whirlpool.

In Ulysses" -- 

Whirlpool = Plato, mysticism

The Rock = Aristotle, dogma


Joyce set Ulysses equal to Socrates, jesus, and Shakespear, but he must 
also be equivalent to Bloom, who sails throught he chapter briefly, 
hunting for his ad, unscathed by the debaters.


STYLE

Highly variable. 

Initial style: supercilious, falsely urbane, tending to mock the
shallowness of the people present (151)

Recurrence of Joyce's "high style," now more mannered than ever (151)

Arranger in various guises, and more intrusive now (162, 167, 171ff)


THE ARGUMENT 


AE (George Russel): Art is a manifestation of the Idea, the Absolute 

Stephen: Art is the particular (e.g., william Blake. Cf. Blake vs.
Reynolds)

The two are figured here as Plato vs. Aristotle, the Ideal vs. the Real.


151 ------ AE's credo

152-153 -- Stephen's credo

154-155 -- Shakespeare's multiple selves the basis for the Hamlet 
	   ghost-story; Anne Hathaway is central this.

156-157 -- On the learning process of genius, and a defense of looking 
	   into Shakespeare's private life to understand his art.

165-167 -- Evidence that Shakespeare felt betrayed by Anne.

168 ------ Shakespeare's personal implication in his creations.

171-172 -- Suspicions about Shakespeare's brother Richard

174-175 -- Summation: Shakespeare is all-in-all in his work.


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Implications for this book?

Cf. metempsychosis