Notes for Bertolt Brecht "Die Massnahme" (The Measures Taken) (Pagination keyed to "The Measures Taken and Other Lehrstuecke," eds. Willett & Manheim, translation by Carl Mueller.) Marx's Eleventh Thesis on Feuerbach: "The philosophers have only interpreted the world, in various ways; the point is to change it." Terminology: "Control" Chorus: German sense of "control" is "oversight," "surveillance" -- this is a chorus not int he Greek sense, but in the Leninist sense. The Classics: The MArxist classics, namely, "Capital," "Theses on Feuerbach,", "Grundrisse," "The 18th Brumaire of Napoleon III," "The German Ideology," etc. agitators/agistation: Not a pejorative term in Marxist jargon; e.g., the Agitations- und Propagandamittelladen. Propaganda: Likewise, not a pejorative term. "Propaganda" means literally "that which ought to be spread," hence not brainwashing, but analogous to "Gospel"! Marxism-Leninism is founded on the notion of class consciousness; education, the didactic, is essential. The Lehrstueck is an outgrowth of this emphasis. agitprop: Brecht's Lehrstuecke are prime examples. The plays are education for actors and audience, but mainly the actors, according to Brecht. The plays are conceived as workshop pieces, fully participatory. The fluid changes in role keep the articiality of the proceedings in view, whicle still creating powerful emotional effects. The structure imitates the process of rational reflection on life experience, which is the goal of the play. Agitprop drama is a cross between actors' workshop and vaudeville, deliberately ad hoc and stylized. The genre died out as Stalinism hardened into mass murder in the Thirties, as Socialist Realist doctrine was propounded, and finally as the Second World War broke out. comrade: The mode of address between Party members; it is meant to be differentiated from traditional class-bound forms of address, such as "sir" or "lord." Marxism: Doctrines based on the writings of Karl Marx and Freidrich Engels. Marxism-Leninism: The revolutionary application of Marxism formulated by V.I. Lenin; based on the concept of Party discipline -- a highly centralist doctrine, in contrast to Rosa Luxemburg's emphasis on spontaneous mass action and the general strike. Stalinism: One of the two schismatic branches in Leninist thought following Lenin's death in 1924. Stalin advocated piecemiel, local revolution rather than waiting for world revolution. (In practice, this meant simply focusing on the USSR.) Also emphasized the "historical" or "objective" perspective over the individual viewpoint. This show up in "Die Massnahme" in the stressplaced on the effacement of the individual and the danger of giving in to the individual viewpoint. Only the Party can have the many eyes needed to understand the overall strategy of revolution. Absolute primacy of ends over means. Trotskyism: The other schismatic branch following Lenin's death, emphasizing the necessity of world revolution. Trotsky was attractive to leftist intellectuals uneasy with Stalin's authoritarian brutishness, and also because of his internationalist perspective. coolies: Chinese workers The Party: The Communist Party. In its Leninist form, the Party consisted of the most conscious members of the proletariate, along with progressive elements from the bourgeoisie. Party membership was restricted, an earned privilege. Rank in theParty reflected an achieved understanding of class conflict in its theoretical and practical aspects; thus Party discipline is crucial. ----------------------------------------------- Structure of the play [Preface] 1. The Teachings of the Classics | |--- Definition of the problem 2. The Effacement | 3. The Stone | Discussion | | 4. Justice |--- Lessons Discussion | | 5. What is Man? | Discussion | 6. The Betrayal | | 7. Limits of Persecution and Analysis |--- Resolution | 8. The Burial | Significance of the lessons: a. The Stone Material improvement of conditions -- the first impulse of the Young Comrade -- is a naive and self-defeating goal. b. Justice Immediate remediation of unjust acts is pointless, even self-defeating, unless a proper context governs it. Plato knew this. Justice in Man == Justice in Society. Man out of a social context is vague, undefined. Class consciousness is the understanding of this context. Oppression is made possible by obscuring the contingent, contextual, man-made nature of social relations, falsely depicting them as natural and inevitable. c. What is Man? Contrast between the Young Comrade's naive but emotionally compelling view of Natural Man, and the enlightened view of Man as both an emotional and a rational creature, motivated by both faculties, but able to change the world through reason through reason alone ("reality"). The Poetry: "In praise of the USSR" (11) "In praise of illegal work" (13) The coolies' work song (16-17) "The song of commodity" (23-24) "Change the world: it needs it" (25) "In praise of the Party" (29) ["We are now the scum of the earth"] (31-32)